Black Celebrities
Elodie Gave Birth at 32 Weeks: The Tech That Saved Her Son
Elodie gave birth at 32 weeks after a crash killed her unborn son Remi. Here’s how genomic testing and AI are changing prenatal care in 2024.
Elodie Aldridge was 34 weeks pregnant when a four-wheel-drive allegedly ran a stop sign and slammed into her Ford Territory near Shepparton East on October 20, 2022. The crash killed her unborn son, Remi, and left Elodie with a snapped femur, a broken wrist, and catastrophic internal bleeding. She was airlifted to Melbourne, where surgeons removed Remi and fought to save her life.
Elodie gave birth at 32 weeks in a previous pregnancy — a detail that matters because it shows her body had already been through the wringer before this crash. That earlier birth, in a different context, produced a living child. This time, at 34 weeks, the outcome was different. Remi had a birth certificate, a death certificate, and a Transport Accident Commission claim. But under Victorian law, he was not considered a person. The driver, Chrystle Olivia Kemp, 26, was charged with dangerous driving causing the death of five-year-old Savannah Kemp and dangerous driving causing injury to Elodie. She could not be charged over Remi’s death.
That legal gap is now the center of a push to change Victoria’s laws. But the story also sits at the intersection of two technological shifts in prenatal and neonatal care: genomic sequencing that can spot rare diseases in newborns, and AI-assisted tools that help doctors counsel families through the worst moments of their lives.
Why Elodie Gave Birth At 32 Weeks Matters For Prenatal Tech
When Elodie woke in the ICU, her husband Andrew had to tell her three times that Remi had died. “I didn’t want to believe it,” she said. They spent three days with their son before he was taken away. A small wooden box with his ashes now sits on their TV cabinet in Katunga, next to a framed imprint of his feet.
The Aldridges are pushing the Allan government to introduce a law similar to Zoe’s Law in NSW, which since 2021 recognizes unborn children at 20 weeks or more as victims of crime. Brodie Donegan fought 12 years for that law after a drug-affected driver ran her over on Christmas Day 2009 while she was 32 weeks pregnant with her daughter Zoe. “Zoe counted towards the road toll in NSW that year,” Donegan said. “The glaring gap was that she just wasn’t recognised in the court proceedings.”
Heather Douglas, a law professor at the University of Melbourne, warns that any Victorian law would need clear safeguards for reproductive rights. “Understanding the fetus as separate from the mother is also problematic,” she said. That tension is real. But the Aldridges say the current situation leaves them without closure. “He was alive in my belly; he was ready to come,” Elodie said. “I cannot understand why he’s not considered a baby.”
What Genomics England Is Doing For Newborns Right Now
While Victoria debates its laws, the UK is quietly rolling out a massive genomic testing program that could change how parents understand their baby’s health before symptoms appear. The Generation Study, led by Genomics England with NHS England, has signed up more than 1,000 families in Hull and East Yorkshire alone since January. Nationally, it aims to sequence the whole genomes of 100,000 newborns.
The test uses blood samples normally taken from the umbilical cord after birth. It looks for more than 200 rare genetic conditions, including spinal muscular atrophy and metachromatic leukodystrophy. Early diagnosis means earlier NHS treatment, monitoring, and support. “Early diagnosis, support and treatment can be crucial in slowing the progression of disease or improving quality of life,” said Sarah Collins, research lead midwife at Hull Women and Children’s Hospital.
The study does not replace the heel prick test, which still screens for ten conditions. But it could detect hundreds more treatable diseases in the first years of life. For parents like Jodie and Jack, who signed up with baby Hazel Rae, the appeal is simple: knowing sooner.
How AI And Autopsy Data Could Prevent The Next Tragedy
The technology that might have helped Elodie and Andrew is not just about genes. It is also about data. A 2022 ProPublica investigation published by Undark found that in about one-third of stillbirths, the cause of death is never determined. Placental exams were performed or planned in only 65 percent of stillbirths in 2020. Autopsies were done in less than 20 percent.
That is a massive gap in the data. Without autopsies and placental exams, doctors cannot learn why babies die. “It’s hard to reduce the rate of stillbirth if we don’t understand why they all happen,” said Dr. Jessica Page, a maternal-fetal medicine specialist at University of Utah School of Medicine.
AI tools are starting to fill that gap. Researchers are training models on placental pathology images and genomic data to flag patterns that human pathologists might miss. The goal is not to replace doctors but to give them faster, more accurate answers. For families like the Aldridges, those answers could mean the difference between a future pregnancy that ends in a living child and one that ends in another wooden box.
Dr. Karen Gibbins knows that difference personally. After her son Sebastian was stillborn at 27 weeks in 2018, an autopsy revealed a rare disease caused by her antibodies attacking his liver. When she became pregnant again, she started weekly antibody infusions. At 32 weeks, she began bleeding heavily, and her doctor delivered her baby immediately. Everett cried when he was born. “If we had not had that autopsy,” Gibbins said, “my third child would have died as well.”
What To Watch Next
Victoria’s parliament will decide whether to follow NSW and recognize unborn children as victims of crime. The Aldridges will keep pushing. “It will not change our scenario,” Andrew said, “but it might help someone else one day.”
On the tech side, watch three things. First, whether the Generation Study hits its 100,000-baby target and whether the NHS expands whole genome sequencing beyond the study. Second, whether AI pathology tools get regulatory approval for stillbirth evaluations. Third, whether the US federal government starts covering autopsies after stillbirth, which experts say should be viewed as a continuation of maternal care.
The tools are not magic. They will not bring Remi back. But for the next Elodie — the next mother who gave birth at 32 weeks in a previous pregnancy and then faces a crash, a stillbirth, or a rare genetic disease — better data and faster diagnosis might mean a different ending.
If you are pregnant or have recently given birth, ask your hospital whether placental exams and genomic testing are available. If you are in the UK, ask your midwife about the Generation Study. If you are in Victoria, call your MP and ask where they stand on Zoe’s Law. The technology exists. The laws and the funding are what lag behind.
Frequently Asked Questions
What happened to Elodie Aldridge’s baby Remi?
Remi died in utero at 34 weeks after a four-wheel-drive allegedly ran a stop sign and crashed into Elodie’s car near Shepparton East on October 20, 2022. Elodie was seriously injured and airlifted to Melbourne, where surgeons removed Remi. He had birth and death certificates but was not considered a person under Victorian law.
What is the Generation Study and how does it help newborns?
The Generation Study is a UK research program led by Genomics England and NHS England. It uses whole genome sequencing on blood from the umbilical cord to test newborns for more than 200 rare genetic conditions. Over 1,000 families in Hull and East Yorkshire have signed up. Early diagnosis allows for earlier NHS treatment and support.
Why are autopsies after stillbirth so important?
Autopsies and placental exams can determine the cause of death in many stillbirths, which helps doctors counsel parents about future pregnancy risks. A ProPublica investigation found that autopsies were performed in less than 20 percent of stillbirths in 2020. Without them, about one-third of stillbirth causes remain unknown.
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Black Celebrities
All’s Fair Season 2: Kim Kardashian’s Rome Premiere Test
All’s Fair season 2 opened in Rome with Kim Kardashian and Kris Jenner in archival couture. What the reviews, the cape and the missing data really show.
Season two of All’s Fair opened in Rome on Oct. 24 with a red carpet, a November streaming date and a review history that would bury most shows. The screening filled the Auditorium Parco della Musica’s Sala Sinopoli, with Kim Kardashian back in front of cameras as divorce lawyer Allura Grant and Naomi Watts, Sarah Paulson, Niecy Nash-Betts, Glenn Close and Teyana Taylor beside her.
The verified record supports one conclusion. All’s Fair season 2 is not a critical rehabilitation. It is a demonstration that attention, not acclaim, is what keeps Ryan Murphy’s legal soap alive. And the premiere’s most-reported detail, a 1969 Elizabeth Taylor cape, was that strategy made visible.
Why All’s Fair Season 2 Survived A Zero Percent Rating
The case against the show is on the record and blunt. Season one holds a zero percent rating on Rotten Tomatoes. Ben Dowell of The Times gave it zero stars and called it potentially the worst television drama ever made, as Hola reported. The Daily Beast recorded a first season met with a brutal wave of evisceration aimed at its plotting and at Kardashian’s acting.
The case for the audience is thinner on paper and stronger in practice. That same Daily Beast report notes fans tuned in in droves, a point Nash-Betts has made publicly while brushing off the critics. Murphy’s response, as the outlet read the new episodes, was to lean harder into melodrama rather than retreat.
The two claims sit side by side because they are measuring different things. A zero percent score counts critics. A renewal counts something else, and the show’s defenders know it.
One number is missing, and it matters. Neither Hulu nor Disney+ has published viewing figures in any of the reporting around this premiere. The idea that audiences turned up is asserted by the show’s own cast and repeated in press coverage, not quantified in public. That gap is the honest core of the controversy: nobody outside the streaming platforms can currently prove how many people watched, only that the show came back.
The Scorpio Cape Does More Work Than A Costume
Kris Jenner, 70, walked the same carpet in the archival black velvet hooded cape designed by Tiziani Roma, with two scorpions embroidered across the chest to honour Princess Grace’s star sign. Taylor wore the piece to Grace Kelly’s 40th birthday celebration at the Hôtel Hermitage in Monte-Carlo in 1969. Jenner paired it with white gloves and a white dress.
According to Hola, Jenner bought the cape at auction and lent it to her daughter for the production. Kardashian confirmed the ownership herself on Instagram Stories: “Fun fact about the cape my mom is wearing. It belonged to Elizabeth Taylor, and my mom now owns it and graciously let me wear it in All’s Fair.”
PEOPLE reported that Kardashian wore the same look while filming, accessorised in the trailer with the 69.42-carat Taylor-Burton Diamond on a custom Cartier diamond necklace and the Krupp Diamond ring. Kardashian also said Murphy wrote a Scorpio Ball episode for Allura Grant after hearing the story behind the garment.
This is why the fashion coverage exists, and it is not frivolous. It shifts the conversation from performance to provenance, from whether the lead can act to whether she understands Hollywood history. That is a defensible position for a star whose notices have centred on her range.
WWD noted the pattern, recalling the 2022 Met Gala when Kardashian wore the actual 1962 gown Marilyn Monroe used for her birthday serenade to President Kennedy, a choice that caused a scandal of its own. The archive is not decoration in this family. It is a communication channel.
Kardashian has also put money behind the Taylor story, executive producing the 2025 docuseries Elizabeth Taylor: Rebel Superstar. In 2024 she described Taylor as unapologetically herself and a fighter, telling The Hollywood Reporter, in comments recirculated by E! Online, that Taylor proved you can keep evolving and have different chapters in your life.
For her own entrance, Kardashian wore an archival Yves Saint Laurent Fall 1986 Haute Couture leopard-print corset gown with a matching stole and black pumps, styled by Law Roach. Jenner’s comment under her daughter’s recap post was shorter: “What a whirlwind you looked STUNNING. I love you!!!”
What The Rome Premiere Cannot Tell Fans
The screening itself was not a clean endorsement. The Daily Beast’s reviewer, present in the room, noted that a few audience members quietly slipped out by the midpoint. The same piece argues the episode is camp spectacle that can be unwatchable and entertaining at once. Either way, one critic’s reaction is one critic’s reaction, not a verdict on eight episodes.
A second caution concerns private life. Hola’s report repeats an unverified claim that Jenner underwent a $150,000 facelift last year. No on-record confirmation appears in the sourcing, and a red carpet photograph does not establish a medical procedure. Fans should treat that line as unconfirmed gossip rather than fact.
A third caution is practical for viewers outside the United States. The reporting lists Hulu and Disney+ for the Nov. 4 launch, but territory-by-territory availability is not specified in any of the coverage reviewed here. African audiences on Disney+ should confirm local listings rather than assume a same-day drop.
Where It Stands
The first three episodes of All’s Fair season 2 arrive Wednesday, Nov. 4. The cape question is settled, because Kardashian stated the facts herself and news outlets verified the garment’s history. The ratings question is not settled, and will not be until platforms release numbers they rarely release at all.
What remains is a straightforward test. A show with a zero percent critical score has been handed a second season, a Rome premiere and a wardrobe that generates its own headlines. Whether All’s Fair season 2 converts that attention into a third season depends on data the public will probably never see in full. Fans can enjoy the spectacle and still hold the line on what has actually been proven.
Frequently Asked Questions
Did Kris Jenner really wear Elizabeth Taylor’s original Scorpio cape?
Kim Kardashian confirmed it on Instagram Stories, writing that the cape belonged to Elizabeth Taylor and that her mother now owns it and lent it to her for All’s Fair. Hola reported that Jenner bought the piece at auction. The garment is a Tiziani Roma design that Taylor wore to Princess Grace’s 40th birthday in Monte-Carlo in 1969.
When does All’s Fair season 2 release?
Three new episodes launch Wednesday, Nov. 4, on Hulu and Disney+, according to the reporting around the Rome Film Festival premiere. Territory-by-territory availability was not specified in the coverage reviewed, so viewers outside the US should check local Disney+ listings.
Why was the show renewed after such bad reviews?
The verified record does not include published viewing figures from Hulu or Disney+, so the renewal cannot be confirmed as audience-driven with public data. Cast members including Niecy Nash-Betts have stated that viewers turned up in large numbers, and critics have noted that Ryan Murphy leaned further into melodrama for season two rather than changing course.
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About Rose Green
Rose Green is an entertainment and lifestyle author at AfriLatest. With a passion for storytelling, she contributes creative and thought-provoking content, capturing the imagination of readers. Rose specializes in entertainment news, celebrity updates, and lifestyle trends, sparking meaningful conversations across diverse topics.
View all articles by Rose GreenBlack Celebrities
Glee Reboot Cast: What Is Confirmed, Hinted and Rumored
The Glee reboot cast has spoken in Instagram captions and interview asides. Here is what is confirmed, what is hinted, and what is still rumor.
The question is no longer whether Glee is coming back. It is whether anyone can say, with evidence, who is in it. On October 21, 2026, Disney+ and Hulu gave the series a formal order, as Gulf News reported, with 20th Television producing and Ryan Murphy writing alongside Brad Falchuk and Ian Brennan. What followed was not a cast announcement. It was a fog of hints. Almost every claim about the Glee reboot cast traces back to an Instagram caption, an interview aside, or a trade report citing unnamed sources.
The gap between a corporate greenlight and a confirmed cast is the story. It matters because the show’s own history — two dead cast members, a 2020 reckoning over on-set conduct — makes casting a moral question as much as a scheduling one.
The Verified Timeline Starts With A Script
Murphy set the sequence in public. In July he told People the show had “come back around,” adding that “so many young people now watch it.” In September he told Entertainment Tonight the writing was done: “We have a script. Brad [Falchuk], Ian [Brennan], and I, who wrote all the first two seasons, have written something.” He also said he had been “in touch with around 10 of the original cast members,” describing them as “very enthusiastic about the idea.”
He named none of them. That is the ceiling of verified information. Murphy has not confirmed a single returning performer. Disney has not either. The October 21 Instagram post read, “It’s official. Glee is returning,” and stopped there.
What The Glee Reboot Cast Has Said In Public
The record, such as it is, is a patchwork. Lea Michele told E! News in September: “I love Glee, I will always love Glee… I love Ryan Murphy; it holds such a special place in my heart for me, so I will follow Ryan wherever he goes.” That is enthusiasm, not a contract.
Heather Morris went further on Instagram, writing that “Brittany S Pierce was in fact lost in the sewers for all these years… and back for more #Glee.” Chord Overstreet posted a reunion message, though even that small text has drifted in transcription: ELLE recorded it as “reunited and fit feels so good,” while other outlets carried “Reunited and it feels so good!” A one-word discrepancy in a two-line caption is a useful measure of how soft this reporting layer is.
Kevin McHale, who once said he “shouldn’t be playing a character in a wheelchair,” later told People: “I could never say no to that.” He also replied “Challenge accepted” to a tweet noting that Drake had passed the Glee cast for most Billboard Hot 100 entries. Harry Shum Jr. is reported as in. Jane Lynch told Entertainment Tonight she would return “in a heartbeat.
Chris Colfer remains the clearest holdout on record. He told Bustle he had “heard absolutely nothing” about a reboot, that Glee “was a really tough show to do, and it would be really hard to do it now that Naya [Rivera] is gone,” and that fans would “probably come after me with pitchforks and jazz hands” if he declined.
The strongest casting claim in circulation is not from the cast at all. Variety reported, citing multiple unnamed sources, that Michele’s return is “already guaranteed,” with one source saying “She’s in.” Variety also stated plainly that Disney has not officially confirmed it. A sourced trade report is evidence of intent. It is not a studio announcement, and it should not be repeated as one.
Amber Riley and Dianna Agron have not spoken publicly about returning. Darren Criss has said nothing definitive either; Variety’s case for him rests on the fact that he still performs Blaine Anderson’s material live and recently sang with Colfer in London.
The Two Empty Chairs
Any honest account of the Glee reboot cast has to include the people who cannot return. Cory Monteith died on July 13, 2013, at 31, in a Vancouver hotel room, of an accidental overdose from combined drug intoxication. The show answered with “The Quarterback,” an episode that never explained how Finn died so that it could be about grief instead.
Murphy said at the time that “almost everything in that episode is from the first take of every performance because the actors and the crew had a really hard time shooting it.” Matthew Morrison recalled Michele steadying the room: “[Lea] had one of the first songs we filmed for the episode and she did it so beautifully and after, she said something like, ‘It can’t be harder for anyone else than it was for me.’”
In a 2013 Entertainment Weekly piece, Murphy revealed the ending he had planned for Finn and Rachel: “Rachel comes back to Ohio, fulfilled and yet not, and walks into Finn’s glee club. ‘What are you doing here?’ he would ask. ‘I’m home,’ she would reply. Fade out. The End.”
Naya Rivera drowned at Lake Piru in California in July 2020, during a boat trip with her four-year-old son, Josey. She was found on July 13, 2020 — seven years to the day after Monteith died. She was 33. Colfer’s hesitation about the reboot is tied directly to her absence.
The Commercial Case And The Baggage
The verified numbers explain the order better than any caption does. The original put more than 200 songs on the Billboard Hot 100 and sold over 50 million songs and 13 million albums, according to Gulf News. That catalogue, plus a streaming resurgence among younger viewers, is the business argument.
The reputational argument is harder. In 2020, former cast members spoke publicly about their experiences on set; Michele apologised and said she was committed to growing. A reboot inherits that record whether or not it addresses it on screen.
For audiences outside the United States, the material released so far contains no distribution detail beyond Disney+ and Hulu. No international rollout has been described in the statements on record. That is not a scandal. It is simply a reminder that the nostalgia is being marketed before the production logistics are public.
The Big Picture
Three facts survive scrutiny. Disney+ and Hulu ordered the series on October 21, 2026. Murphy, Falchuk and Brennan have written a script. Murphy says roughly ten original cast members are enthusiastic and has declined to name them.
Everything else about the Glee reboot cast is a claim with a source attached, and the source is usually a social post, an unnamed insider, or an actor being polite in an interview. Meanwhile, the most concrete statements any cast member has made concern the two colleagues who will not be there. That is where the reboot will be judged — not on who posts a throwback photo, but on whether the show can hold grief and renewal in the same frame without turning either into content.
Frequently Asked Questions
Has Disney confirmed who is in the Glee reboot cast?
No. Disney+ and Hulu announced a series order on October 21, 2026, and the show’s official post said only that Glee is returning. Ryan Murphy has said he is in touch with about ten original cast members but has not named them, and no studio statement has confirmed any individual return.
Is Lea Michele confirmed for the Glee reboot?
Not by the studio. Variety reported, citing multiple unnamed sources, that her return is guaranteed, and Michele has said she would follow Ryan Murphy wherever he goes. Disney has not officially confirmed it.
Why has Chris Colfer not committed to the reboot?
Colfer told Bustle he had heard nothing about a reboot and that Glee was a tough show to do, adding it would be hard to do it now that Naya Rivera is gone. He also joked that fans would come after him with pitchforks and jazz hands if he said no.
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About Rose Green
Rose Green is an entertainment and lifestyle author at AfriLatest. With a passion for storytelling, she contributes creative and thought-provoking content, capturing the imagination of readers. Rose specializes in entertainment news, celebrity updates, and lifestyle trends, sparking meaningful conversations across diverse topics.
View all articles by Rose GreenBlack Celebrities
Jane Levy Evil Dead Return: A Tease, Not a Deal Yet
Jane Levy Evil Dead return talk is a Q&A tease, not a confirmed deal. What the verified record shows about Mia Allen, Sam Raimi and Evil Dead Wrath.
Jane Levy did not announce a comeback. She asked a room a question.
That is the whole of the verified record. At a post-screening Q&A for the 2013 Evil Dead reboot, hosted by Contra Celluloid, the actor took the microphone and put it to the audience: “I have a question. Do you guys think Mia should come back to Evil Dead?” The room applauded. “OK cool, I was just checking. That’s all,” she said.
She then joked about calling the franchise’s original architect directly: “Let’s call Sam’s Skype number right now and see if he wants Mia to come back.”
No casting notice followed. No studio statement. Neither Deadline, which reported the clip, nor any other outlet has confirmed a deal, a contract, or a start date. For fans, that gap is the story.
What the Q&A Actually Confirmed
Two things, and neither is a role. Levy confirmed she is willing to be publicly attached to the question, and she confirmed that an audience still cheers for Mia Allen, the recovering addict who survives Fede Alvarez’s reboot and ends it with a chainsaw.
Dread Central’s account is blunt about the limits. “It doesn’t sound like that last part happened. Nor is this Levy affirming she’ll be back for Wrath. She also easily could’ve said she isn’t involved. But she didn’t.”
That last observation carried most of the online excitement, and it is worth naming plainly: it is an absence, not a statement. An absence is not evidence of a deal.
Why the Jane Levy Evil Dead Return Talk Is Not a Deal
Franchise decisions get confirmed in public, in one of two ways: a studio announcement, or a direct statement from the person involved. Bruce Campbell’s exit from Ash is the model. He told the Detroit Free Press he was finished with the role after his cancer diagnosis, and said the series had “moved away from Sam Raimi” and “moved away from Ash and Bruce Campbell.”
That is a documented position, on the record, from the actor who holds it. Levy’s is a joke about Skype, delivered to a paying audience at a revival screening.
Precedent matters too. The 2013 film was built with an open door, a post-credits implication that Mia might one day cross paths with Ash, and the door stayed shut for more than a decade while the franchise made other films.
Cross-linking is a franchise habit rather than a rumour. Campbell cameoed as Ash in that 2013 reboot, then led Ash vs Evil Dead on Starz from 2015 to 2018, tying the reboot era back to the original trilogy. That habit is precisely why one Q&A line travels so far.
The Slate Is Booked Through 2028
The series has not been waiting on her. Lee Cronin’s Evil Dead Rise arrived in 2023. Sebastien Vanicek’s Evil Dead Burn followed this year and, per Dread Central, closed with a post-credits reveal pointing to a widening shared universe.
Next is Evil Dead Wrath, directed by Francis Galluppi and dated for April 7, 2028. Producer Robert Tapert calls it “another great departure,” which is fair: it is a prequel to the original 1981 film, set in 1972.
None of those three films is a confirmed Jane Levy Evil Dead return. And the 1972 setting is a structural fact fans should hold onto. A period prequel has no obvious slot for a character introduced in 2013 unless the film uses a framing device nobody has announced. Nothing in the public record confirms one.
What Would Make This Real
Three signals, in ascending order of strength. A trade report carrying deal terms. A casting announcement naming Levy from the production side. Or Levy herself confirming it in an interview, rather than in an audience Q&A.
Until one of those lands, the accurate description is unconfirmed. Levy has her own slate on the record, the backwoods slasher River and a small role in Whalefall, and her private reasons for wanting or not wanting to revisit Mia have not been made public. They are not owed to anyone.
Where the Real Business Story Sits
Oddly, the clearer business story in this franchise right now belongs to Campbell, not Levy. Campbell announced in March that he had been diagnosed with a “treatable” but not “curable” form of cancer, and he has spent the year on a self-financed film, Ernie & Emma, which he wrote, directed and stars in.
He and his wife, Ida Gearon, put up the money themselves and shot it in Oregon, where a state incentive program returns 20% of production costs, he told the Detroit News. The film has toured grassroots-style to venues including Detroit’s Redford Theatre. He has described it to OPB as a way out of being typecast as the “Evil Dead guy.”
That is what a confirmed career move looks like: money committed, locations booked, dates announced, a star doing press. Compare it with a clip of applause.
Will It Succeed?
As franchise maintenance, the tease already works. It cost nothing, it travelled across film sites and social feeds, and it kept Levy’s name tied to a series she last appeared in more than a decade ago.
As a casting event, it has not happened. The evidence shows an actor testing appetite, an audience answering loudly, and no public statement from Sam Raimi on a Mia return anywhere in the reporting around the Q&A. A Jane Levy Evil Dead return remains a possibility the franchise has left open, not a deal it has signed.
Frequently Asked Questions (Jane Levy Evil Dead return)
Has Jane Levy confirmed she is returning to Evil Dead?
No. She asked an audience at a Q&A whether Mia should come back, and joked about calling Sam Raimi’s Skype number. No studio, producer or trade report has confirmed a deal, and Levy has not stated she is cast in Evil Dead Wrath or any future film.
Is Mia Allen in Evil Dead Wrath?
There is no public confirmation either way. Evil Dead Wrath is a prequel to the 1981 original, set in 1972 and dated for April 7, 2028. Nothing in the reporting establishes a role for Mia, and the period setting makes one structurally awkward without an announced framing device.
Why did this moment get so much attention?
Because Levy did not rule anything out. Dread Central noted she could easily have said she was not involved and did not. Combined with a post-credits reveal in Evil Dead Burn hinting at a wider universe, an unanswered question was enough to drive speculation.
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About Rose Green
Rose Green is an entertainment and lifestyle author at AfriLatest. With a passion for storytelling, she contributes creative and thought-provoking content, capturing the imagination of readers. Rose specializes in entertainment news, celebrity updates, and lifestyle trends, sparking meaningful conversations across diverse topics.
View all articles by Rose Green-
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