Entertainment TV & Film
Andrew Scott’s Elsinore Opens London Film Festival
Andrew Scott’s Elsinore opens the 70th BFI London Film Festival with a standing ovation. Here’s why the film is an awards frontrunner.
Andrew Scott just made the 70th BFI London Film Festival open with a standing ovation and a disco song. That’s not a typo. The Irish actor, 49, stars as Ian Charleson in Elsinore, a film that left the Royal Festival Hall audience wiping away tears before they were on their feet whooping.
Elsinore is a biographical drama directed by Simon Stone and written by Stephen Beresford. It tells the true story of Charleson, the Scottish actor famous for Chariots of Fire, who in 1989 replaced Daniel Day-Lewis in Hamlet at the National Theatre while dying of AIDS-related complications. He died seven weeks after leaving the production, aged 40.
The film premiered at Telluride and Toronto before landing in London as the festival’s opening night gala. It hits UK cinemas on January 29, 2027.
A Homecoming With Extra Weight
Bringing Elsinore to London wasn’t just a programming choice. The Royal Festival Hall sits a stone’s throw from the National Theatre, where Charleson gave his final performance. Festival head Kristy Matheson told Variety that the location made it feel like bringing the film home.
Stone echoed that sentiment on the red carpet, telling the Press Association that the London theatre and film community were the people this film is about. “It’s a huge celebration of why the arts are so integral to our community and our country,” he said.
The film’s cast is stacked. Olivia Colman plays Dr. Margaret Johnson, the pioneering HIV/AIDS consultant who treated Charleson. Billie Piper is casting director Patsy Pollock. Johnny Flynn plays Richard Eyre, then artistic director of the National Theatre. Juliet Stevenson plays Sylvia Syms, who starred as Gertrude in that production.
Andrew Scott Steals The Show
Scott’s performance has already generated Oscar buzz. Critics who saw the film at Toronto called it career-best work. Deadline’s Baz Bamigboye described Elsinore as a “triumphant epitaph for an extraordinary man.”
On stage after the screening, Scott introduced the real-life people who inspired the film alongside the actors portraying them. That included Linda Tolhurst, the National Theatre’s stage doorkeeper for 46 years, played by Monica Dolan, and Ralph Mills, the long-serving dresser, played by Paul Chahidi.
The biggest applause was reserved for Dr. Margaret Johnson, with Scott calling her “a true life hero” for her impact on HIV and AIDS treatment.
Then Scott did something unexpected. He asked the house DJ to play a disco version of Ethel Merman’s “There’s No Business Like Show Business,” a song featured in the film. He told the audience it “encapsulates this man who loved this industry so much.”
“He went out performing, so this one’s for you, Ian,” Scott said. “We love you.”
Why This Story Matters Now
Elsinore isn’t just another awards-season biopic. It’s a portrait of a specific moment in gay history, when AIDS was still terrifying and misunderstood. Charleson gathered his cast to explain his diagnosis but advised them to stick to the official line that it was an ordinary virus.
Guy Henry, who played Guildenstern, recalled the fear of the era in an interview with The Guardian. “How was it transmitted? Could you get it from an actor shouting at you – from spittle?” he said. “It was alarming but I must say, I don’t recall anyone recoiling from Ian.”
Stella Gonet, who played Ophelia, remembered Charleson’s lightness backstage. “He made me laugh so much – we would be silly Scots together before we went on stage,” she said. “With Dan there was a tension, with Ian there was a freedom.”
Scott himself acknowledged the significance of playing this role as an out gay actor. “I’m not sure that even 10 years ago they would’ve put me in a film like this,” he said on the red carpet.
What Else To See At LFF
The 70th BFI London Film Festival runs October 7-18. Other major screenings include Ava DuVernay’s 14th, Taika Waititi’s Klara and The Sun adaptation, Boots Riley’s I Love Boosters, and Brad Bird’s animated Ray Gunn.
The festival closes October 18 with Jesse Eisenberg’s The Debut. Screen Talks will feature Danny Boyle, Cynthia Erivo, Sofia Coppola, Javier Bardem, and John Malkovich.
Should You Watch Elsinore?
If you care about theatre history, queer history, or just want to see Andrew Scott deliver what might be the performance of his career, Elsinore is essential viewing. The film opens in UK cinemas on January 29, 2027. No US release date has been announced yet, but given the awards buzz, expect one soon.
If you’re not ready for a film that will absolutely wreck you emotionally, maybe wait until you’re in the right headspace. This isn’t a casual watch. It’s a celebration of a man who performed Hamlet while dying, and it will stay with you.
Frequently Asked Questions
When does Elsinore come out in cinemas?
Elsinore will be released in UK cinemas on January 29, 2027. A US release date has not been announced yet.
Who plays Ian Charleson in Elsinore?
Andrew Scott stars as Ian Charleson. The cast also includes Olivia Colman as Dr. Margaret Johnson, Billie Piper as Patsy Pollock, and Johnny Flynn as Richard Eyre.
What is Elsinore about?
Elsinore tells the true story of Scottish actor Ian Charleson, who replaced Daniel Day-Lewis in Hamlet at the National Theatre in 1989 while dying of AIDS-related complications. He died seven weeks after leaving the production.
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Entertainment TV & Film
Lil Frosh ‘Kole Re Body’: Mayorkun Feature Still Unverified
Lil Frosh’s ‘Kole Re Body’ with Mayorkun lacks primary evidence in available reporting. What Nigerian Afrobeats sources do confirm about both artists.
The record titled ‘Kole Re Body’ attributed to Lil Frosh with a Mayorkun feature is, on the evidence reviewed, a claim without a paper trail. The reporting available for this analysis carries no release notice, producer credit, distribution listing, label statement or playable audio for a song under that name. That absence is not proof of non-existence. It is proof that the claim has not yet met the threshold for publication as confirmed fact, and in Nigeria’s fast-moving Afrobeats market that distinction is routinely lost.
Evidence standards for a music release are not exotic. A confirmed single normally leaves at least one trace: an artist or label announcement, a streaming or distribution listing carrying credit and identifier metadata, a producer’s confirmation, or a review with embedded audio. The material reviewed here offers none of these for the collaboration in question. What it does offer is substantial documentation of both artists’ separately verifiable activity.
The timelines are also unstable. The two TooXclusive pages reviewed are dated 27 and 28 October 2026, yet their body text describes releases framed as arriving in 2020 and 2021. That internal inconsistency is not a scandal; it is a reminder that aggregator pages are frequently re-dated, syndicated or republished, and that a title appearing on such a page is not by itself an issuance record.
The Documentation Gap Around Kole Re Body
None of this means fans are inventing a rumour from nothing. It means the claim is currently ahead of its receipts. Confirmation would typically arrive in one of three forms, and each would change the story’s classification.
First, a label or distributor statement would convert this from an unverified title into a release story, with a date, a producer credit and territory availability. Second, a denial from either camp would reclassify it as a misinformation story, which in a market where leaked tracklists circulate widely is a routine outcome. Third, the appearance of a demo or unfinished file would raise rights questions rather than release questions, since studio sessions in Lagos frequently produce material that never clears for commercial issue.
Until one of those occurs, the correct framing is conditional: reported, not confirmed.
What The Sources Do Confirm About Both Artists
Lil Frosh’s documented run is specific. According to TooXclusive’s entry on the record, he released ‘Denge Pose’ featuring Mohbad, produced by Niphkeys, described as his second 2021 single and a follow-up to ‘Omo Ologo’, which featured Zinoleesky and was produced by Rexxie. The entry characterises ‘Denge Pose’ as a mid-tempo record blending Afrobeat with Fuji-pop, and places Frosh within the Marlian circle alongside Mohbad and Zinoleesky.
Mayorkun’s documented activity sits in a different commercial lane. Per TooXclusive’s report on Dremo’s ‘E Be Tins’, the artist billed as The Mayor of Lagos guested on that record, produced by Fresh VDM and described as a heavy amapiano track blended with Afrobeat. That report frames it as Dremo’s first single after his Codename album, released in April of that cycle.
The only documented overlap between Lil Frosh and Mayorkun runs through Dremo, not through a duet. Frosh appears on the feature list of Codename, Vol 2, a 12-track set whose guests also include Davido, Falz, Naira Marley, Sinzu, Peruzzi, Idowest, The Flowolf and Knucklez, with production from Benjamz, Alpha Ojini, Fresh VDM, Vsix, Zhyno, Mosess, Nackademus and Samfire. Mayorkun appears on ‘E Be Tins’. Two artists orbiting the same collaborator is a plausible seed for a rumoured pairing.
Structural Reasons Nigerian Features Spread Without Receipts
The wider pattern is structural rather than personal. Nigerian pop runs on features, and the Afrobeats ecosystem has spent the past several years absorbing amapiano rhythms into a formula that rewards fast, cross-artist releases. A collaboration between a Marlian-era act and a Lagos mainstream headliner is commercially logical, which is precisely why unverified titles in that shape spread so quickly.
The supply chain compounds it. Sessions are frequent, producers hold multiple versions, and snippets circulate through private groups before any distributor is engaged. When a plausible title surfaces, it matches an audience’s expectations closely enough that verification feels unnecessary. That is a distribution problem masquerading as a music problem.
There is also a reputational asymmetry. A false positive costs a fan nothing, while a correct early report costs an outlet nothing either. The cost lands on the artists, who must either confirm a record they may not have finished or deny one they may have recorded and shelved.
Possible Outcomes And What To Watch
Three scenarios remain open. The first is confirmation, most likely through a distributor listing or an artist post, which would make this a straightforward release story with credits to verify. The second is quiet non-arrival, the most common fate of circulating titles. The third is denial, which would place the story alongside the broader problem of unverified music claims in West African entertainment coverage.
Readers should watch for metadata rather than hype. A producer tag, a confirmed date, an International Standard Recording Code, or a label statement does more evidentiary work than any number of aggregation pages repeating the same unverified title.
The Big Picture
The case is less about one song than about how African pop is covered. A title like Kole Re Body travels because the ecosystem around it is real, busy and commercially rational, and because the reporting infrastructure that should gate its publication is thin. The verified record shows two artists with distinct, documented trajectories and one shared collaborator in Dremo. Everything beyond that remains a claim awaiting evidence, and until a primary source appears, the honest headline is that the collaboration is reported and unconfirmed.
Frequently Asked Questions
Has Lil Frosh released a song called ‘Kole Re Body’ featuring Mayorkun?
It cannot be confirmed from the source material reviewed. No release notice, producer credit, distribution listing, label statement or playable link for a record under that title appears in the available reporting, so the collaboration should be treated as reported but unverified.
What releases by Lil Frosh are documented in the sources?
TooXclusive documents ‘Omo Ologo’ featuring Zinoleesky and produced by Rexxie, followed by ‘Denge Pose’ featuring Mohbad and produced by Niphkeys, described as his second 2021 single and a mid-tempo Afrobeat and Fuji-pop blend.
How are Lil Frosh and Mayorkun connected in verified reporting?
Through Dremo. Lil Frosh appears on the feature list of Dremo’s Codename, Vol 2, while Mayorkun guests on Dremo’s ‘E Be Tins’, produced by Fresh VDM. No documented direct collaboration between Lil Frosh and Mayorkun appears in the sources.
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About stephen Douglas
Stephen Douglas is a gaming and entertainment author at AfriLatest. With a background in social media management and community building, he covers the latest trends in the gaming industry, esports, and digital culture. Stephen creates engaging content that keeps readers connected and informed about the games and entertainment they love.
View all articles by stephen DouglasEntertainment TV & Film
Wizkid Starboy Desire Ft Banky W Shaydee: Fact Or Fan Fiction?
The Wizkid Starboy Desire Ft Banky W Shaydee search never dies. Here is what the verified EME tracklists actually credit, and what they quietly leave out.
The debate in one line: more than a decade after Empire Mates Entertainment ran Lagos, fans still pass around a file tagged Wizkid Starboy Desire Ft Banky W Shaydee, and almost nobody can produce the tracklist that proves it exists.
That is the real fight. Not whether Wizkid, Banky W and Shaydee ever made music together. They demonstrably did, and the credits prove it. The fight is whether “Desire” is a genuine record with that exact credit, or the most confidently remembered phantom in Afrobeats crate-digging.
Side A: The Believers Have A Point
The believers are not inventing chemistry out of thin air. The trio format was a label signature, not an accident. Wizkid’s debut Superstar, the 17-track project that introduced him, leaned heavily on Banky W as mentor and sounding board, and fans digging through that era keep finding three-name combinations everywhere. The Wizkid Starboy Desire Ft Banky W Shaydee theory survives because the E.M.E house really did stack vocals like that.
Their strongest card is memory. A record that lived briefly on a Nigerian mobile music app, downloaded on a BlackBerry or Symbian handset, then lost to a wiped SD card, is exactly the kind of song that becomes folklore. No YouTube link, no streaming metadata, just ten thousand people who swear they heard it once.
Side B: The Receipts Say Something Else
Here is where it gets uncomfortable for Side A. Two contemporary write-ups of the E.M.E all-stars compilation, one carried by TooXclusive and one by ModernGhana, both publish the full 22-track listing for that album. Neither contains a song called “Desire.” There is no Wizkid Starboy Desire Ft Banky W Shaydee entry on either version.
What the listings do show is the trio’s actual documented work. “See My Mama” credits Wizkid, Banky W and Shaydee. “Change” credits Banky W, Skales, Wizkid, Shaydee and Niyola. Shaydee and Banky W appear together without Wizkid on “Find My Trouble” and “Sun Mo Mi.” That is the honest map, and it is narrower than the rumour.
Writer’s Take: The Platform Ate The Catalogue
The reason this phantom persists is structural, not mystical. The E.M.E compilation was released free and exclusively on Spinlet, a Nigerian digital distributor that at the time ran only on Android, BlackBerry and Symbian. The rollout went badly enough that the label issued a public apology, promised 30 Spinlet credits to every user, offered full refunds to anyone whose phone credit was deducted, and handed out a free one-month subscription as compensation.
Read that again. A flagship label album, launched exclusively on a phone app, with a 24-hour download failure window. That is not a distribution plan, that is a memory hole with a tracklist attached.
So asking why nobody can verify the Wizkid Starboy Desire Ft Banky W Shaydee credit is the wrong question. The better question is how any of that catalogue got remembered at all.
Why The Wizkid Starboy Desire Ft Banky W Shaydee Mystery Still Matters
The naming drift is the tell. The same album is titled Empire State of Mind in one report and Empire Mates State of Mind in another, published around the same release. If two professional outlets covering the same June 18 drop could not agree on the title, fan memory did not stand a chance with a deep cut.
There is a second tell, and it is about the tag itself. The “Starboy” branding fans attach to the front of that credit belongs to a later chapter of Wizkid’s image than the 2011 to 2012 E.M.E window documented in these listings. An authentic E.M.E-era credit would not have been written that way. That does not make the song fake. It makes the label anachronistic, which is exactly how mislabelled files are born.
For contrast, look at what a properly credited Wizkid collaboration looks like. On Superstar, “Eme Boyz” carries Wizkid, Skales and Banky W by name, and the album’s tenth-anniversary retrospective, which you can read at TooXclusive, documents Wizkid himself confirming Banky W named the project. Credits in that era were specific. They were also occasionally sloppy, but they were written down.
The practical cost lands on fans. A mislabelled Wizkid Starboy Desire Ft Banky W Shaydee file pollutes playlists, confuses DJs building E.M.E-era sets, and steals streams from records that actually exist. Worse, it flattens Shaydee’s contribution, which was real and documented, into a footnote on a song that may never have been recorded.
The fan takeaway is unglamorous but useful. When a credit cannot be traced to a tracklist, a label announcement, or the artist’s own catalogue, treat it as unconfirmed. Not fake. Unconfirmed. This one has not been officially confirmed anywhere in the primary reporting of the period.
There is also a cultural argument here that nobody makes loudly enough. Nigeria’s early Afrobeats era deserves the same archival care that rock and hip-hop get abroad. Labels, distributors and platforms that vanish take the record with them, and fans are left arguing about titles in comment sections fifteen years later. The Wizkid Starboy Desire Ft Banky W Shaydee rumour is not a trivia problem. It is a preservation problem wearing a trivia costume.
So here is the ground both sides can stand on. Wizkid, Banky W and Shaydee were in the same rooms, on the same label, building the same moment. The documented proof lives on “See My Mama” and “Change.” Everything beyond that needs a receipt.
Drop your vote. If you own a working file of Wizkid Starboy Desire Ft Banky W Shaydee, post the artwork, the file date and the bitrate. If you cannot, say so and let the tracklist win.
Frequently Asked Questions
Does a Wizkid Starboy Desire Ft Banky W Shaydee song officially exist?
It has not been officially confirmed. Neither of the published 22-track listings for the E.M.E all-stars compilation includes a song called “Desire,” and no primary credit for that combination appears in the reporting of the period. Treat it as unconfirmed rather than fake.
Which songs actually feature Wizkid, Banky W and Shaydee together?
The documented collaborations are “See My Mama,” credited to Wizkid, Banky W and Shaydee, and “Change,” credited to Banky W, Skales, Wizkid, Shaydee and Niyola, both on the E.M.E all-stars compilation.
Why do so few E.M.E-era recordings have verifiable streaming credits?
The E.M.E compilation was released free and exclusively on Spinlet, which at the time supported only Android, BlackBerry and Symbian devices. A reported 24-hour download failure led to a public apology, credit compensation and refunds, which left much of the catalogue undocumented online.
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About stephen Douglas
Stephen Douglas is a gaming and entertainment author at AfriLatest. With a background in social media management and community building, he covers the latest trends in the gaming industry, esports, and digital culture. Stephen creates engaging content that keeps readers connected and informed about the games and entertainment they love.
View all articles by stephen DouglasEntertainment TV & Film
I Am Helen Trailer: Nicola Coughlan’s Dark Channel 4 Turn
The I Am Helen trailer puts Nicola Coughlan and Joe Cole inside Dominic Savage’s toxic masculinity drama. What the verified evidence shows.
The first I Am Helen trailer landed this week, and one line is doing the heavy lifting. A masculine confidante tells Joe Cole’s Steve that “it’s tough for blokes. You’re made to be the bad guy.” As Deadline reported, that exchange frames the two-parter’s real subject: toxic masculinity, observed from the woman’s side of the room.
Look past the moody grade and the clip is selling something narrower than “dark”. It is selling authorship. Nicola Coughlan is not only the lead here. She helped build the story.
What the I Am Helen Trailer Actually Sells
Per Digital Spy, the footage opens with Helen describing her relationship with Steve as having hit a “rough patch” after five years. He then begins voicing disturbing beliefs. Helen softens the truth when she talks to a friend. Steve’s behaviour turns controlling, then dangerous, and Helen is left weighing a decision about her own safety. Nothing in that description goes beyond what Channel 4 has chosen to show, so there is no spoiler risk yet.
The craft signal matters more than the plot beat. Dominic Savage’s I Am… episodes are built as collaborations with the actor carrying them, and Coughlan co-developed this one with Savage, with Cole alongside as co-star. Stylist, which debuted the trailer, confirms she helped develop the story.
That is a different proposition from a star simply taking a role. Coughlan arrived with Derry Girls and Bridgerton goodwill and a comic register. The trailer asks audiences to accept her in a mode Channel 4 has spent seven years training viewers to associate with Kate Winslet and Suranne Jones.
Channel 4’s commissioning editor for drama, Gemma Boswell, called Savage and Coughlan a “powerhouse” team and the story a “powerful and timely portrait of our times”. Commissioning editors say that about most things. The useful test is the franchise’s record.
Why This Franchise Has No Box Office Ledger
Here is where the usual frame breaks. I Am Helen is a two-part Channel 4 drama, not a theatrical release. No budget has been disclosed. No ratings exist yet. There is no opening weekend to rank against rivals, and any figure claiming otherwise would be invented.
The closest thing to a ledger is the anthology’s history. Stylist reports that I Am… became the most successful new 10pm drama in six years when it debuted in August 2019. I Am Ruth, the feature-length 2022 instalment with Winslet, collected multiple BAFTA and RTS awards including best single drama; Deadline notes it won Winslet a BAFTA.
That is the return Channel 4 is underwriting: awards, press, and the international presale value that follows both. Eight leads have now cycled through the format, from Vicky McClure and Gemma Chan to Letitia Wright and Lesley Manville, with Savage writing and directing every episode.
Set against that record, the four-year gap since I Am Ruth is the number that should concern fans most. Anthologies lose heat fast, and a returning strand has to re-earn attention it once had by default.
Stylist notes the series has previously covered mental health, fertility and coercive relationships. Coercive control is not new ground for Savage. What is new is the trailer’s decision to give the defensive male line the first word, then let two hours of Helen’s experience answer it. That is a writing choice, and it will be judged as one.
The Credits, the Money and the Global Question
Me+You Productions is behind I Am Helen. Krishnendu Majumdar produces; Savage is credited as producer as well as writer-director by Deadline, while Digital Spy lists Majumdar and Josh Hyams as producers. The variation is minor and unresolved in the public record, so treat the producer credit as unsettled.
The financing explains the global path. Sky Studios co-funds I Am, and NBCUniversal Global TV Distribution handles international sales. This is not a show that lives or dies on one British broadcast slot. It is a catalogue asset with a sales agent attached from the start.
For audiences in Africa and elsewhere outside the UK, that matters practically. Channel 4 has not announced a release date; Digital Spy reports it will air and stream later this year, while Stylist notes no official date has been confirmed. No African broadcaster or streaming pickup has been announced either. Any claim of one is speculation.
A cluster of manosphere drama now surrounds this release. Deadline places I Am Helen alongside Netflix’s Adolescence and Louis Theroux’s Inside the Manosphere. That comparison flatters the trailer and burdens the show. Adolescence had a formal hook to sell. I Am Helen has two hours and a familiar domestic-threat structure.
Its advantage is the anthology’s house style: long, unadorned scenes, actors given room, no tidy resolution promised. Its disadvantage is that “toxic masculinity” has hardened into a press-release phrase. The trailer hints at the harder question, which is how a woman talks herself out of what she already knows.
The Takeaway
The I Am Helen trailer is not evidence of quality. It is evidence of positioning: a two-hander built with its star, part-funded by Sky Studios, sold internationally by NBCUniversal, aimed squarely at the awards corridor the franchise already occupies.
Watch the episode-one ratings, then watch whether the international sale lands. The awards conversation follows only if the writing holds. Fans should note the calendar as well: with no confirmed date, the I Am Helen trailer is a signal, not a schedule.
Frequently Asked Questions
When does I Am Helen air on Channel 4?
No official release date has been confirmed. Digital Spy reports it will air and stream on Channel 4 later this year, while Stylist states that Channel 4 has yet to announce a date.
Who stars in I Am Helen and who made it?
Nicola Coughlan plays Helen and Joe Cole plays Steve. Dominic Savage created, wrote and directed the two-parter, with Coughlan credited as co-developing the story. Me+You Productions is behind it, with Krishnendu Majumdar among the producers.
Will I Am Helen be available outside the UK?
No international broadcaster or streaming pickup has been announced. Sky Studios co-funds the I Am strand and NBCUniversal Global TV Distribution handles international sales, so a rollout outside the UK would be a separate commercial deal.
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About Rose Green
Rose Green is an entertainment and lifestyle author at AfriLatest. With a passion for storytelling, she contributes creative and thought-provoking content, capturing the imagination of readers. Rose specializes in entertainment news, celebrity updates, and lifestyle trends, sparking meaningful conversations across diverse topics.
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