Perfect Love: Gilda sets up a weapon to catch Gaspar with Mirtes

From boredom to informed Ione (Carol Badra) does not die in Águas de São Jacinto. After Gilda (Mariana Ximenes) wrap Gaspar (Thiago Lacerda) for years, finally their wedding day arrives, mobilizing the city and, above all, the Grand Budapest Hotel in “Perfect love”, from TV Globo.

Mirtes’ arrival in town already makes Gaspar anxious, fearing that the clerk at the registry office will cause some confusion with the bride, without suspecting that the two are closer than they seem. On the wedding day, Lucília (Kênia Bárbara) gives Mirtes the key to the hotel’s presidential suite, where Gaspar is going to get ready.

When he gets out of the shower, he comes across a fiery Mirtes, who says he’s there for the bachelor party. Gaspar reacts, wants her to leave, so Mirtes threatens to tell everyone that they are already intimate and, more than that, talk about the set-up they got involved in order to withdraw the document from the notary that proves that Marê (Camila Queiroz) is the heiress of the mansion.

FLAGRANT HAPPENS

Scene set up, behold, the act takes place, perfect for a bride who does not want to get married and sees her plan succeed, and surprising for the guests who also witness the situation. With the frame, Gilda takes an important step towards breaking up with Gaspar, which will not be an easy task, even more so with everything that involves their history.

In the midst of this, Gilda will not shy away from looking stunning for that day. The wedding dress that does not take place is in pink sequins, after Cândida persistently reminds her that the bride is already a widow and cannot wear white. Glamourous, the dress has the traditional sweetheart neckline, which has already become a trademark of the provocative villain. Inspiration comes from the great divas of American cinema, such as Veronica Lake, Lana Turner, Carole Lombard and Mae West, who already abused the necklines and sensuality reinserted in fashion since the 1920s.

“Amor Perfeito” is created and written by Duca Rachid and Júlio Fischer with artistic direction by André Câmara. The work is written with Elísio Lopes Jr, with the collaboration of Dora Castellar, Duba Elia and Mariani Ferreira. The direction is by Oscar Francisco, Alexandre Macedo, Lúcio Tavares, Joana Antonaccio and Larissa Fernandes. Production is by Isabel Ribeiro and Mônica Fernandes and genre direction by José Luiz Villamarim.